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Table of Contents
About The Book
Queenie meets Frying Plantain in this courageous coming-of-age story, set in the 1990s, about a mixed-race Black girl fighting for recognition in a South Carolina Cherokee community that refuses to accept her ancestry as legitimate.
On the rain-swollen banks of the River Etsi in South Carolina, Ophelia Blue Rivers—six years old in 1992—catches frogs and stretches to reach the swaying sunflowers. She’s an orphan raised in a rustic cabin by her Grandma Blue, a descendent of the Black Cherokee Freedmen. Caught in deep currents of history that she doesn’t understand, she is, as her grandma says: “half Black, half Cherokee, and all mixed up.”
While Ophelia may not always understand where she came from, there’s no mistaking where she’d rather be: caught in the warmth of Grandma Blue’s cabin, listening to bedtime Cherokee legends as collard greens hiss in the frying pan.
But one day, a tall stranger with a black denim jacket and a charming smile appears, and his arrival shatters Ophelia’s world. She finds herself whisked away from all she knows to live with her Auntie Oba, the boisterous woman she had only met in rumours.
So begins Ophelia’s spirited, at times harrowing, search for home and family—a journey that takes her from a majority-white high school to the inner sanctum of a Black evangelical church to the throbbing dance floors of underground Southern clubs and to a final, devastating encounter with the scion of a wealthy, white family. She must ask herself: What does it mean to belong when the terms of that belonging come at such a high price?
With dazzling language, keen insight, and an unforgettable voice, Black Cherokee is not only an astonishing novel but a profound meditation on race, identity, and coming of age from a major literary talent.
On the rain-swollen banks of the River Etsi in South Carolina, Ophelia Blue Rivers—six years old in 1992—catches frogs and stretches to reach the swaying sunflowers. She’s an orphan raised in a rustic cabin by her Grandma Blue, a descendent of the Black Cherokee Freedmen. Caught in deep currents of history that she doesn’t understand, she is, as her grandma says: “half Black, half Cherokee, and all mixed up.”
While Ophelia may not always understand where she came from, there’s no mistaking where she’d rather be: caught in the warmth of Grandma Blue’s cabin, listening to bedtime Cherokee legends as collard greens hiss in the frying pan.
But one day, a tall stranger with a black denim jacket and a charming smile appears, and his arrival shatters Ophelia’s world. She finds herself whisked away from all she knows to live with her Auntie Oba, the boisterous woman she had only met in rumours.
So begins Ophelia’s spirited, at times harrowing, search for home and family—a journey that takes her from a majority-white high school to the inner sanctum of a Black evangelical church to the throbbing dance floors of underground Southern clubs and to a final, devastating encounter with the scion of a wealthy, white family. She must ask herself: What does it mean to belong when the terms of that belonging come at such a high price?
With dazzling language, keen insight, and an unforgettable voice, Black Cherokee is not only an astonishing novel but a profound meditation on race, identity, and coming of age from a major literary talent.
Product Details
- Publisher: Simon & Schuster (August 19, 2025)
- Length: 336 pages
- ISBN13: 9781668024553
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Raves and Reviews
“Downing transports readers to the steamy, scented jungle of Trinidad where he lived with his grandmother as a child…A story of resilience and character, Saga Boy is bound to become a Canadian classic.”
— CATHERINE GILDINER, author of Good Morning, Monster and Too Close to the Falls
“Downing transports readers to the steamy, scented jungle of Trinidad where he lived with his grandmother as a child…A story of resilience and character, Saga Boy is bound to become a Canadian classic.”
— CATHERINE GILDINER, author of Good Morning, Monster and Too Close to the Falls
“Downing seamlessly blends poetic images, music, and storytelling to create a poignant and stunningly honest memoir of a young man’s adamant determination to navigate his position and find himself despite the boundaries of colonialism, racism, and the endless sense of disbelonging.”
— LAMEES AL ETHARI, author of Waiting for the Rain: An Iraqi Memoir and From the Wounded Banks of the Tigris
“In Saga Boy, Downing offers expertise and experience, intellect and intimacy; this is a book that names the griefs and violences of colonialism and insists on the tentacular ways they reach into all facets of being…Truly unforgettable.”
— JENNY HEIJUN WILLS, author of Older Sister, Not Necessarily Related
“Singularly dazzling, Saga Boy is a brilliant collage of the twenty-first century’s most incredible memoirs. Told with an unforgettable and innovative pace, this a book I will reread forever.”
— KIESE LAYMON, author of Heavy
“Deeply moving . . . Suffused with poetic prose that jumps off the page, this inspiring account sings.”
— Publishers Weekly (Starred Review)
”Downing’s lush language and sensory details make the fascinating events of this memoir pop. An authentic, entertaining, and timely account of a creative immigrant's experiences.”
— Booklist
“Downing's elegant, engaging memoir will have particular significance to readers from the Caribbean diaspora, but it will be understood by any reader who has ever had their world suddenly upended and needed to make it whole again.”
— Library Journal
“Downing's elegant, engaging memoir will have particular significance to readers from the Caribbean diaspora, but it will be understood by any reader who has ever had their world suddenly upended and needed to make it whole again.”
— Library Journal
“An engaging narrative about the search for home, belonging, and identity . . . Intriguing, passionate, and often moving.”
— Kirkus Reviews
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- Book Cover Image (jpg): Black Cherokee Trade Paperback 9781668024553
