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The Storm We Made

A Good Morning America Book Club Pick

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About The Book

NATIONAL BESTSELLER * A GOOD MORNING AMERICA BOOK CLUB PICK * LONGLISTED FOR THE CENTER FOR FICTION 2024 FIRST NOVEL PRIZE

In this “espionage-laden family epic” (Vanity Fair), an ordinary housewife becomes an unlikely spy—and her dark secrets will test even the most unbreakable ties.

Malaya, 1945. Cecily Alcantara’s family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into service at the comfort stations. Her eldest daughter Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day.

Cecily knows two things: that this is all her fault; and that her family must never learn the truth.

A decade prior, Cecily had been desperate to be more than a housewife to a low-level bureaucrat in British-colonized Malaya. A chance meeting with the charismatic General Fujiwara lured her into a life of espionage, pursuing dreams of an “Asia for Asians.” Ten years later as the war reaches its apex, her actions have caught up with her. Now her family is on the brink of destruction—and she will do anything to save them.

Told from the perspectives of four unforgettable characters, The Storm We Made spans years of pain, triumph, and perseverance. “The tenderness in its details, the ordinary ways that these characters love and laugh in the face of the extraordinary…Chan shows us, with clarity and care, how the truest mirror comes from the intimacy of human connection” (The New York Times Book Review).

Reading Group Guide

“‘And as the waxy birthday candle melted into Abel’s dry birthday cake, Cecily knew. Bad things happened to bad people; and she was exactly that—a bad person.’” (pg. 5). How does this quote illustrate Cecily’s guilt? What does it reveal about her perspective as a mother?

Jujubee reflects on the possibility that Western armies might have forgotten about Malaya, thinking, “Maybe people like her, Jasmin, and Abel did not matter—here in a tiny tropical corner in the East, being brutalized by people who looked almost exactly like them.” What is the significance of their suffering being ignored by the West? Based on your knowledge of Malaya during the war, or lack thereof, do you think her suspicion is justified?

Mr. Takahashi, whose daughter perished in Nagasaki, feels enraged at America after the bombing yet displays kindness toward Malayans. How do you interpret his overall sense of humanity? And how does Jujubee’s encouragement for him to hold onto faith—despite Japan’s actions toward her country—add complexity to this dynamic?

Cecily’s yearning for more than being a housewife, coupled with the guilt she feels as a result of her past decisions, highlights the tension between personal dreams and familial responsibilities. How do Cecily’s surroundings intensify this internal conflict? Do you see parallels to these struggles in modern society?

What moments in the story capture Jasmine’s childhood innocence? How do the realities of war shape and, ultimately, challenge that innocence?

Cecily concludes, “All love was someone breaking their soul into smaller pieces and offering the broken pieces of themselves as a puzzle to someone else.” (pg. 127). How does this sentiment reflect Cecily’s experiences? Do you agree with her perspective on love?

Despite Fujiwara’s actions and their complicated history, Cecily feels pity for him as she sees him and Lina reintegrate into society, noting his sacrifices for his ideology. Why do you think Cecily feels this way about him? How does she eventually come to terms with her feelings?

How does Cecily balance her love for Lina and Gordon while continuing her relationship with Fujiwara? What do her actions toward each of them reveal? How do the contexts of occupation and war further complicate her situation?

Freddie’s arrival, his first taste of toddy, and Brother Luke’s death mark significant changes for Abel during his time at the camp. He reflects on a daily fight for survival and his confrontation with mortality. Do you think Abel’s humanity was fundamentally changed or adapted to his circumstances? Would it have been possible for him to remain unchanged in such an environment?

“The British had come for the camp and bombed it to hell, to wipe out any way for the Japanese to transport supplies. And yet the only men who lay on the ground in piles of ash and limbs were conscripted boys who had, against the odds, survived the Japanese torture only to die at the hands of their supposed saviors.” (pg. 297). How does war blur the boundaries between good and evil? What does the Alcantara family’s story—and the tragedy of war-torn Malaya—reveal about who is caught in the crossfire of such blurred lines?

Based on your understanding of family dynamics, how do Jujubee, Jasmine, and Abel embody—or differ from—the stereotypical traits of their respective roles (oldest daughter, younger son, youngest daughter)?

How do the shifts in perspective, setting, and time between chapters provide deeper insight into the characters and their situations? How might your reading experience have differed if the story had focused on only one character throughout?

By the end of the novel, how has each character evolved? How have the horrors of violence and war shaped their transformations?

About The Author

Photograph by Mary Inhea Kang

Vanessa Chan is the Malaysian author of internationally bestselling The Storm We Made, a Good Morning America Book Club Pick, BBC Radio 2 Book Club pick, and New York Times Editor’s Choice. The novel, her first, will be translated into more than twenty languages worldwide. Her other work has been published in Vogue, Esquire, and more.

Product Details

  • Publisher: S&S/Marysue Rucci Books (January 2, 2024)
  • Length: 352 pages
  • ISBN13: 9781668056394

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Raves and Reviews

"The Storm We Made is brave, funny and immensely moving. One of the most powerful and confident debuts I’ve ever read. A storytelling star is born!"
—Tracy Chevalier, author of the international bestseller, Girl with a Pearl Earring

"In Vanessa Chan’s spellbinding debut, one woman’s desire to change her destiny shapes the future of a colonized nation. Combining cinematic grandeur with nuanced storytelling, The Storm We Made offers the hidden history that only fiction can reveal: the everyday yearnings of people surviving a brutal occupation, children trying to make sense of the unspeakable, and the search for love. I’ll never forget this book."
—Jessamine Chan, New York Times best-selling author of The School for Good Mothers

“Devastatingly beautiful and extraordinary . . . Vanessa shines an evocative light on this piece of history. I'm going to be thinking about this one for a very long time.”
—Jessica George, New York Times best-selling author of Maame

“Vanessa Chan's The Storm We Made is a phenomenon unto itself. This is no mere debut, but rather the summoning of a story buried so deeply in a nation that it could only surface with a talent great enough to do it justice.”
—Mira Jacob, author of Good Talk and The Sleepwalker’s Guide to Dancing

"Like the most dazzling historical fiction, THE STORM WE MADE etches intimate details on an epic canvas. Vanessa Chan’s characters face agonizing choices under the darkness of colonization and war, and yet she imbues them with an indelible spirit of resistance that never lets you forget the light. A fearless, gripping, morally complex story by a writer to watch."
-Dawnie Walton, national best-selling author of The Final Revival of Opal and Nev

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